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#T racks delux sonnox oxford namd blue tube series#
Notable 500 series FET compressor: BAE 500C (link to check the price at Sweetwater).These compressors are fast-acting and offer greater transient preservation than other types of compressors. What is a FET compressor? A FET compressor is an analog compressor that utilizes a field-effect transistor at the core of the circuit. Let’s have a look at some examples of audio dynamic range compression. What Are Compressor Pedals (Guitar/Bass) & How Do They Work?.Top Best 11 Compressor Pedals For Guitar & Bass.The Complete Guide To Audio Compression & Compressors.To learn more about compressor attack and release controls, check out my article Dynamic Range Compression: Attack & Release Controls. Release: the amount of time it takes for the compressor to disengage once the input signal drops back below the threshold.Attack: the amount of time it takes for the compressor to react once the threshold is surpassed.In addition to threshold and ratio controls, a compressor may also have attack and release controls. Dynamic Range Compression: What Is The Ratio Control?.Dynamic Range Compression: What Is The Threshold Control?.To learn more about compressor threshold and ratio, check out the following My New Microphone articles: Here are a few illustrations to help us visualize compression: Threshold and ratio are the two main parameters we need to know to understand the basics of compression. So a ratio of 4:1 means that for every 4 dB, the input signal surpasses the compressor’s threshold, the output signal will only be 1 dB above the threshold. Once the threshold is exceeded, there is a ratio at which the signal will be attenuated. Above the threshold, the compressor will. Below the threshold, the compressor will not compress/attenuate the signal. The threshold of the compressor refers to the input amplitude at which the compressor will be triggered. The distance you move the fader (the amount of attenuation) is proportional to the amount the signal surpasses the threshold. Imagine having your finger on a track fader, and every time that track’s audio signal surpasses a set amplitude threshold, you duck the fader before bringing it back to the starting position as the amplitude comes back down. It is sometimes easy to visualize the effect of compression in the following way. Make-up gain is often applied to bring the signal back up to its peak level, making it sound louder (as the “quietest” parts are brought up).
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A compressor can be software or hardware and performs compression on an audio signal (digital or analog).Ĭompression effectively attenuates the “loudest” parts of an audio signal, thereby reducing the overall dynamic range. What is audio compression? Dynamic range compression is the process of reducing the dynamic range of an audio signal by attenuating the amplitude of the signal above a set threshold. That is the change in amplitude over time.īy altering the signal’s amplitude, dynamic effects will also alter the shape of the signal waveform, which is, by definition, signal distortion.Īny distortion in a signal will affect the frequency content of the audio, making dynamic effects useful for modifying both frequency and amplitude characteristics of the sound.Īnd so, dynamic effects/processes include the following: Without further ado, let’s discuss each of these effects!ĭynamic effects alter the dynamics of an audio signal.
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Here is the full list of audio effects and processes for mixing/production: I’ll also include links to more focused articles when applicable. Each of the following listed items will have a link to skip ahead to a more in-depth explanation of the effects or processes. This will be a rather long resource, so I’ve separated effects and processes into subcategories to keep similar tools grouped together. I’ll list examples of effects units/processors when possible, covering rack-mounted units, Eurorack modules, effects pedals and audio plugins/software.Īn audio effect or processor is considered a part of the main signal chain, so I won’t be discussing instruments that process audio files (granular synthesizers, resynthesis engines, samplers, vocoders, etc.), even though these units certainly process and affect audio. In this article, we’ll look at the audio effects and processes used by musicians, producers, and engineers to garner a better understanding of the tools at our disposal. Whether it’s crafting the perfect mix or the perfect tone for your instrument, audio effects and processes will help you get the sound the results you’re after. Audio effects and processors have become critical parts of music and audio production.